This film was made up with formerly sensored scenes from earlier films from 1961 to 1974, plus unedited hard rushes from Benazeraf's just-about-to-be-released new film of the time, La Planque (1975).

A delightfully classic French comedy of high sophistication and light hearted wit, that in the end suffers for it. This is immensely watchable simply for the presence of Maria De Medeiros, the central two of the film are captivating. What spoils it is the stereotypical and under developed second characters and an overly wistful outlook. But I defy any man watching this film not to fall madly for Aimee and everyone will cherish the scenes between Aimee and Maurice.

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Emma is bringing up her son Oscar alone. Her life is divided between her work, her voluntary work as a public writer, her lover and her son. Oscar gradually sinks into melancholy, his existential questions echoing those of his mother.

One of the pioneers of Belgian cinema, Émile Degelin, based this short film, which could be qualified as ‘filmed music’, on the electroacoustic composition for voice and tape Omaggio a Joyce, by Luciano Berio, which is an interpretation of the poem Sirens, from Ulysses. The dreamlike atmosphere of the film won its director the Silver Bear Extraordinary Jury Prize at the 11th Berlinale.

One of the pioneers of Belgian cinema, Émile Degelin, based this short film, which could be qualified as ‘filmed music’, on the electroacoustic composition for voice and tape Omaggio a Joyce, by Luciano Berio, which is an interpretation of the poem Sirens, from Ulysses. The dreamlike atmosphere of the film won its director the Silver Bear Extraordinary Jury Prize at the 11th Berlinale.

The story follows the Castaño Gil family, a prosperous cattle ranching family marked by the kidnapping and murder of patriarch José Castaño by the guerrilla. This event triggers the decision of brothers Fidel, Vicente, and Carlos to form a self-defense army to fight the guerrillas, intensifying the armed conflict in Colombia. However, what seemed like a unified struggle is threatened by betrayal.

The story follows the Castaño Gil family, a prosperous cattle ranching family marked by the kidnapping and murder of patriarch José Castaño by the guerrilla. This event triggers the decision of brothers Fidel, Vicente, and Carlos to form a self-defense army to fight the guerrillas, intensifying the armed conflict in Colombia. However, what seemed like a unified struggle is threatened by betrayal.

“He came to read. He opened two or three books; by historians and poets. But he read for barely ten minutes, and then gave up.” C. Cavafy 　　源自：https://www.cinemadureel.org/en/films/souvenir-dathenes-2/

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